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The Day That I Die (Bobbs-Merrill, 1976)
A thriller set in the Pacific islands I saw
as a Peace Corps volunteer. The novel was suggested by a 1967
visit by actor Lee Marvin to
the island of Saipan, where I
was his guide. Marvin, an ex-Marine, had served on Saipan and
was wounded there. He gave me an idea for a story. The novel
was optioned by film director Robert Aldrich; the film was
never made.
Eddie And The Cruisers (Viking, 1980)
A fictional examination of my
weakness—lifelong weakness—for the songs of my
youth. Hits come and go, the products of a season; but they
return—sometimes, they seduce and reproach. The novel is
set in New Jersey, much of it in Vineland where I had a
summer job on the town newspaper in 1962. The novel and the
film have been described as a rock and roll Citizen Kane. To this, I do
not object. The first Eddie And The Cruisers was directed by
Martin Davidson. The sequel, Eddie
Lives, is a talent-free
embarrassment.
McArthur’s Ghost (Arbor House, 1987)
A continuing interest in the love/hate
relationship between America and the Philippines underlies my
second novel, which spans the years from World War II to the
Marcos era. My wife’s presence in Manila—as a New
York Times correspondent—gave me reason to travel to
Manila, a chance to read and research. I met Luis Taruc, leader
of the postwar Huk rebellion. And with my wife, I attended Imelda Marcos’
lavish Manila International Film Festival. I was, as they say,
gathering material.
Season For War (Freundlich,
1988)
I was intrigued by the fact that some of
the same soldiers who fought in the Civil War later served in
the last Indian campaigns of the 1880’s and were then
shipped off to our first overseas adventure in the
turn-of-the-century Philippines. That the same lives could move from John
Ford’s western desert to Francis Ford Coppola’s
jungles was irresistible. Also: some of the soldiers were
black. Season For War was the result, obscurely published and
lightly reviewed. I may have written as good a novel later on;
never a better one.
Biggest Elvis (Viking,
1996)
What began as one Philippines-based novel,
then another, became a trilogy with Biggest
Elvis. In this case, journalism led
to fiction. I visited the mammoth U.S. Naval base at Subic Bay twice, once on assignment for Rolling Stone magazine,
once for Playboy. The place was unforgettable: a neon
wilderness, a sexual vanity fair, a high water mark of American
military and cultural power. There was more there than a pair
of magazine articles could accommodate. Then my friend Lazarus Salii (see The Edge of
Paradise) told me of a trio of
singers who had come to Palau and been stranded there, broke.
The three men were an Elvis Presley show, each incarnating a
stage of the king’s life. The idea of three Elvis’s
knocking around the world was appealing to me. A
novel—which ought to be a movie—was born. It had
music, sex, romance, politics, exotic locations. It was an
American Year of Living Dangerously. Of all my books, this was the most fun to
write. Every day, the question from manuscript to author was:
what kind of fun are we going to have today? I think it shows.
Final Exam (XOXOX Press,
2005)
I’ve read a lot of so-called academic
novels: Malamud, Jarrell, Amis, Lodge, Smiley, Prose, Russo and
the pungent Edward Allen. Though there are things I’ve
enjoyed, none of them seemed to capture the place I attended,
where I now live and work: Kenyon
College, Gambier, Ohio. Measured
against my sense of life at Kenyon—as reported in my
non-fiction book, Alma Mater—these novels seemed
forced, broad, hyperbolic. Surely they were entertaining. But
not persuasive. When life lands a sixty-ish writer back at the
same campus he attended as a teenaged scholarship kid, the
writer tends to have a take on the place. Some things, he
remembers; others, he imagines. History flows into story and,
in this case, into mystery, dubbed “liberal arts
noir” by the publisher. A series of murders panics a small college. The
question is: who’d want to kill a college? And who might
be able to save it?
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Click the book covers to order one from the
Kenyon College bookstore, Amazon or XOXOX Press.
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Click the book covers to order one from the
Kenyon College bookstore, Amazon or XOXOX Press.
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Click the book covers to order one from the
Kenyon College bookstore, Amazon or XOXOX Press.
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Copyright © 2005 P.F. Kluge.
All rights reserved.
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